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In Daniel: Vision of the End, Doukhan delves into the biblical text of Daniel, considering its words, noting its literary movement, and listening to its echoes throughout the Scriptures. The result is a document with new information and reflection which challenges thought and nurtures hope.

In addition to the idea of fragility which is indicated in vv. 41, 42 to explain the reference to clay, this material also points to human creature; man of clay, Adam owes his existence to the intervention of the “potter” from above (Gen. 2:7; 3:19; Is. 64:8; Jer. 18:6ff.). Now, in the language of Daniel the reference to human creature conveys a specific religious connotation. Chapter 7, for example, brings out a human-featured little horn to represent a religious power, in opposition to the four
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